Chatham County, North Carolina is a lovely rural environment, just perfect for artists to create and show their work. Chatham's visual and performing artists offer unique authentic creations, just minutes from the Triangle, Triad and Southern Pines communities. Come experience our creativity! *Copyright of Forrest C. Greenslade, PhD
Monday, November 25, 2013
Chatham Studio Tour 2013
The Chatham Artists Guild will hold our annual studio tour the first two weekends in December. My studio, gallery and sculpture garden is number 32 on the tour map. I hope that you will visit. Details: http://www.chathamartistsguild.org/portfolio-item/forest-greenslade/
Sunday, October 13, 2013
Fall-winter schedule for Chatham County artist Handler Works on exhibition
Sept. 28 Reception FrAnk Gallery ‘Inspired by the Lens’ Sept.
10-Oct. 6, Chapel Hill
Oct. 20 Artists Studios @Fearrington Outdoor Ann’l Show, 20
booths of arts, crafts in the Village Center 10 AM – 4 PM, Pittsboro
Nov. 7 Reception 5-7 PM, Domicile Realty, newly renovated
Bold Building, Oct. 30-Nov. 25 One Man
Show, 50201 Gov’s. Dr. Chapel Hill
Dec. 7 Gala @ Greenhill Center for NC Arts, admission charge
7-11PM, Dec. 8, 2-4PM Free public viewing, Greensboro
Jan. 5 Reception, 2-4 PM Chapel Hill Historical Soc. @
Horace Williams House, Jan. 5-Mar. 23
Oct. 18 Reception, Durham Art Guild 59 ann’l. Juried Show,
Oct. 10-Nov. 9, Downtown Durham
Oct. 19-24 Internat’l Furniture Market, ‘Revolution Artists’
showroom, 104 N Main St. High Point, Open to the trade only
Nov. Reception date tba. Suzanne Connors Fine Art,
gallery Opening, 544 Northwood Rd., W. Palm Beach,
Fl.
Jan. 16 Reception
5:30-7:30 Theater Arts Gallery, High Point One Man Show Jan. 16- Mar. 30
Wednesday, August 21, 2013
Chatham Artist Awarded for her Pastel Paintings
Many
people lay low during these hot and humid Summer days, but not Chatham Artist
Kim Werfel. She has been very busy making a splash in the area arts scene. She
won two awards at the state wide exhibition North Carolina Pastel
Societies at the Hickory Museum of Art. Her best in show pastel, “The Lookout”
depicts a group of deer seeking food in the morning light. Werfel’s “Queen of
Swords” won the Pastel Society of Virginia
Award. It is a haunting portrait of a young girl leaning on fencing
foils. An avid animal-lover, Werfel’s art was featured at the 20th
anniversary of the Cole Park Veterinary Clinic in Chatham County.
The Lookout by Kim Werfel |
Born
in Brooklyn, NY, Kim Werfel now resides in Fearrington Village, NC with her
husband Eric and her beloved bichon frise, Summer. She is a former Wake
County, NC art teacher and long-time advertising production coordinator for
Time, Sports Illustrated and People Magazines, NYC. She earned a Bachelor
of Fine Art degree in Advertising Design from New York Institute of Technology,
Old Westbury, NY and a Masters of Science in Art Education from L.I.
University, C.W. Post Campus, Brookville, NY.
Werfel
is known for her pastel portraits of people and animals. Her sensitive
realistic interpretation and impressionistic colors give her portraits
personality and spirit as well as a likeness. Her paintings have been exhibited
in solo and group exhibitions throughout North Carolina. Commissioned portraits
are held in New York, California, Florida, Nevada, North Carolina and Virginia.
Werfel is active in artist groups, including Fine Arts League of Cary (http://www.fineartsleagueofcary.org/main.htm),
The Pastel Society of NC (http://pastelsocietyofnc.com/blog/), the
Piedmont Pastel Society http://www.piedmontpastelsociety.org/#1,
Artist
Studios at Fearrington Village (http://fearringtonartists.org/) and the
Chatham Artists Guild (http://www.chathamartistsguild.org/).
You
can see Kim Werfel in her studio at the 2013 Chatham Studio Tour the first two
weekends in December.
Sunday, August 18, 2013
L'Homme Vert
The legendary Green Man deity of the British Isles and
Europe was believed to create rain, sustain nature, and support livestock and
pasture. He has adorned churches, all sorts of buildings, and feels very
comfortable in the garden. L’Lomme Vert is created from cement, peat moss,
chicken wire, 100 year old tin roof tiles and found deer antlers with tarnished
bronze coating, exterior house paint and eye balls by Jonathan Davis. I will
display “L’Homme Vert” starting Saturday August 24th at “Come Out
and Play” at JimGin Farm. Then, this assemblage will be at the North Carolina
Botanical Garden “Sculpture in the Garden” http://ncbg.unc.edu/exhibits-and-art/#sculpture September 21st through December.
Duck Duck Goose, A sculptural kids game
Duck duck goose
Critters on the loose
Children laughing in the garden.
Critters on the loose
Children laughing in the garden.
Duck duck goose
They use any excuse
To laugh and run without regard, and
They use any excuse
To laugh and run without regard, and
Goose duck duck
The kids have run amuck
This game is so avant garde, and
The kids have run amuck
This game is so avant garde, and
Duck duck goose
I guess you can deduce
Life is so much fun in a garden.
I guess you can deduce
Life is so much fun in a garden.
This goofy gaggle was made of recycled rebar and plastic
bags, cement, peat moss, chicken wire, steel, and tarnished bronze coating. I
will display “Duck, Duck Goose” starting Saturday August 24th at “Come
Out and Play” at JimGin Farm. Then, this assemblage will be at the North
Carolina Botanical Garden “Sculpture in the Garden” http://ncbg.unc.edu/exhibits-and-art/#sculpture September 21st through December.
Saturday, June 15, 2013
Fearrington Writers Read
The
first (annual) Fearrington Writers’ Read will be held at McIntyre’s Book Store
in Fearrington Village on Wednesday, June 26 at 2 p.m.
Here’s
your chance to hear your neighbors and friends, who are members of the
Fearrington Writing Group, read short prose work they have written.
You
are in for a treat when you listen to, and ask questions of, these eight
skilled writers:
Sherman Poultney (coordinator, Prose Group II)
Dick Merwarth (coordinator, Prose Group I)
Forrest Greenslade
(co-founder, Fearrington Writers’ Group)
William
A. Polf
Caroline Taylor
Les
Ewen
Barry Reece (co-founder, Fearrington Writers’ Group)
Laura
T. Jensen (facilitator, Fearrington Writers’ Group)
About the Fearrington Writers Group
-discuss the art and business of writing;
-aid one another in composition and publishing;
-share useful information; and,
-give participants a platform for our work.
Many members of the group have shown interest in family history, personal memoir, essays, creative non-fiction, fiction and poetry. The group meets regularly from September through May. The format of our meetings is influenced by input from members.
In general, we attempt to:
-provide useful information for writers and anyone who is thinking about writing’
-encourage members to share experiences from writers’ conferences and workshops;
-provide a forum for sharing your writing; and,
-encourage writing – in any form – for any purpose.
We encourage everyone to write something! There are two subgroups: one for folks interested in poetry (see below) and another one for those interested in prose writing (see below). We are eager to fine-tune our mission and change our meeting format to meet the needs of the group. We encourage any and all comments and suggestions.
Contact Laura T. Jensen at: prosebylaura@gmail.com
Facilitators:
Dick Merwarth (Prose Group) crmerwar@intrex.net
Bill Sommers (Poetry Group) bsommers@earthlink.net
Wednesday, May 8, 2013
Art in the Village Rescheduled for June 2nd
April showers came our way. The winds of May nearly blew us away. But the second
of June will be our lucky day. Artist Studios at Fearrington Village will
present Art in the Village on Sunday June 2nd in the village center from 10 to
4. We really mean it this time. Come join us in a celebration of the visual
arts. Art, Music, beautiful gardens, exciting shops.
Details: http://fearringtonartists.org/
Do a sun dance!
In
addition to the original art, the beautiful gardens, the home-made music and
the exciting shops, visitors can enjoy the gourmet food of the the Dancing Goat
and the Old Granary. A special feature for this show will be made to order wood-fired
pizzas prepared by Pittsboro's own Capp's Apizza-Artisan Wood-Fired
Pizza . They
will be just behind The Roost, serving their yummy selection of pizzas hot
from their mobile wood fired oven.
Details: http://fearringtonartists.org/
Do a sun dance!
Sunday, April 28, 2013
Thursday, April 11, 2013
Art in the Village -- Spring 2013
PARTICIPATING ARTISTS
APRIL 28, 2013
10AM-3PM
(Rain date May 5)
SANDY BEACH FUSED GLASS
VIDABETH BENSEN SILK
SCREEN
ANNE BIGELOW JEWELRY
EVELYN BROWN POTTERY
BEVERLY CROW WATERCOLOR,
ACRYLIC, MIXED MEDIA
CAROLYN DAVENPORT MIXED
MEDIA, COLLAGE
FORREST GREENSLADE NATURE
PAINTING AND SCULPTURE
MURY HANDLER ACRYLIC,
INK BRUSH PRINTS
KAREN HAVIGHURST COLLAGE,
MIXED MEDIA
MARY HEISSERMAN WATERCOLOR
HORTY JACOBS PHOTOGRAPHY
FLORENCE JOHNSON WATERCOLOR
MATTHEW LEAVITT DIGITAL
PHOTOGRAPHY
RONI LIBERMAN WOOD
FURNITURE, TURNED BOWLS
ROY LINDHOLM PHOTOGRAPHY
JOHN MAKOWSKI CERAMICS
SUSAN McLAURIN HANDMADE
PAPER, MIXED MEDIA COLLAGE
PAC McLAURIN NEW
ARTIST
KAY MURPHY JEWELRY
JANE PALKOSKI FIBER
ART
ZEN PALKOSKI SCULPTURE
STAN POMERANZ POTTERY
ANNE RAMOS MISCELLANEOUS CRAFTS
ANNE RAMOS MISCELLANEOUS CRAFTS
STEVE SHAFER PHOTOGRAPHY,
OBJECT SHADOWBOXES
EL TREMBLAY PAINTING
HARRY LANE WURSTER MIXED
MEDIA
Tuesday, April 9, 2013
Happy April
Spring is in full bloom in Fearrington Village – and so is
the art
Painting by Florence Johnson, Photo by Matthew Leavitt |
Artist Studios at Fearrington Village presents Art in
the Village, an outdoor exhibit and sale showcasing visual
artists who live and create in Fearrington. Come to the Village Center on
Sunday, April 28th, from 10 to 3 for Exhibitors: painters, potters,
sculptors, photographers, jewelers, woodworkers, fabric artists - a wide
variety of styles and media. Join us – it’s family friendly and free!
Stroll
through our beautiful gardens. Enjoy lovely and exciting music. Have a snack or
a meal in Fearrington’s renowned restaurants. Browse interesting shops. Visit
McIntyre’s Books, a delightful independent bookstore.
Enjoy
exhibits by local, regional and nationally-known artists and purchase their
original artworks.
Wednesday, March 27, 2013
The Iraq War: 10 Years Later -- The Real Story
Early in the morning, Kazem was awakened by horrified
screams. He ran to the next room where is wife Shatha cowered in the corner.
“Look” she demanded. Kazem turned his eyes in the direction of his wife’s
extended finger. “There” she pointed again, “Do something”.
Kazem’s eyes then locked on the opposite corner of the small
room where Shatha prepared food for the family. In the corner, frantically
darting this way and that, was an equally horrified and very small rodent. “Do
something” Shatha repeated, with a heightened tenor of urgency in her voice.
Kazem grabbed a broom from near the table, and lunged toward the miniature beast
– which abruptly turned to the far wall, and scurried through a barely
discernable crack in its base.
“Kazem – Do something” Shatha demanded.
Kazem hurried down the street, past one of the towering
statues of Saddam, into the neighborhood market place. Making his way through
close aisles of merchandise, he went right to the stall of Mogtada, his friend,
who sold whatever he could find at a cheap price. Kazem recapped for Mogtada his
encounter with the small rodent, and stressed that any level of domestic
tranquility in his household depended on his doing something with it. “It is only a
mouse” advised Mogtada, “They are everywhere here in Baghdad.”
“What can I do about this mouse?”
“You need a mouse trap.
“OK, sell me such a mouse trap!”
“I wish that I could sell you a mouse trap” Mogtada
responded, “But with these United Nations sanctions, Iraq cannot import food and
medicines, let alone mouse traps” he elaborated.
Kazem’s mind began to race. He was a very enterprising
person, always sensitive to opportunity. “Why don’t we make these mouse traps,
and sell them all over Baghdad” he blurted out excitedly. I will be able to do something at home, and we can make a
better Baghdad, perhaps even a better Iraq.”
Kazem and Mogtada, anxious to get started on their new
venture, rushed to the home of Abu, an influential person in the local Ba’ath
Party in Baghdad. They stressed to Abu the importance of ridding communities all
over Iraq of these rodent threats. They urged Abu to help them secure the
resources needed to design and produce some sort of device for mouse
eradication.
Abu was also an astute man with a quick mind for opportunity.
He suggested that, for a small percentage of future profits from the venture, he
would secure funds from government resources. “Even with UN sanctions, there is
plenty for Saddam’s friends” he winked.
The next day, Abu visited the Ministry of Security. His
friend, Hamza, was assistant to Assistant Minister of Baghdad Security. Abu
outlined for Hamza the strategy for producing devices for mouse eradication.
Hamza, quite astute himself, allowed that, for a small percentage of future
profits, he would get support from Saddam’s inner circle. “Being well connected
in the Ba’ath Party, I will simply send an email message to a very influential
person,” Hamza declared.
Hamza sat right down at his computer, one of the very few
allowed in Baghdad. He addressed his note to Uday. In the email, he emphasized
the critical importance of a program to produce weapons of mouse eradication in
order to circumvent the UN sanctions.
In his office in London, Michael sat, bleary eyed from hours
of staring at reams of email traffic. Abruptly, his eyes focused tight on the
words “In order to circumvent UN sanctions, Iraq’s program to produce weapons of
mouse destruction will have the highest priority.” Michael bolted from his
chair, and ran into the office of John, Assistant Director of Intelligence at
MI6.
John called Clive.
Clive called Reginald.
Tony picked up the red phone, and called Condi. “We are
getting a bit of chatter about Iraq’s program to produce weapons of mouse
destruction to circumvent the UN sanctions, he said.
“Weapons of mouse destruction?” Condi repeated
Condi Called Donald, “British intelligence has some
scuttlebutt about Iraq using weapons of mouse
destruction against the UN.”
Donald dropped the phone, and strode into Dubb’ya’s office,
“Saddam Hussein has weapons of mouse destruction, and he plans to use them
against the United Nations building in New York City.”
Dubb’ya just stared back “WMD?”
A few weeks later, Kazem looked up in shock and awe, as bombs
rained down on his little home in Baghdad. Kazem, Shatha, their four children,
and several very small rodents were
killed.
Wednesday, March 20, 2013
Organic Forrestry at Chatham Marketplace
Biologist turned artist Forrest C. Greenslade, PhD (http://www.organicforrestry.com/)
will exhibit a selection of paintings depicting local scenes in the Café
at the Chatham Marketplace (http://chathammarketplace.coop/)
during the month of April. There will be a meet the artist wine and cheese
reception on Saturday April 13 from 1 to 3.
Bynum Bridge, a relief painting in modeling paste and tarnished metals |
"I lived a serious life, but now in my dotage, I am just letting the kid out again, " Greenslade smiles."It's more fun than an old guy deserves."
Greenslade’s latest book, Visitations: A Nature-Lover’s Journal (http://www.blurb.com/b/3301641-visitations-a-nature-lover-s-journal?utm_source=badge&utm_medium=banner&utm_content=140x240) will on view at the reception.
April 13th is also the opening day for the
Marketplace Farmers Market.
Tuesday, March 12, 2013
Shetland Reverie
Shetland Reverie by Forrest C. Greenslade, PhD |
In "Shetland Reverie", I imagine Stanley recalling the ancestral home in the Shetland Islands of this wonderful breed. This is a 16x20 painting using watercolor and colored pencil.
Tuesday, February 12, 2013
Carolina Brewery Features Chatham Artists Guild Art for All Seasons
Patrons of the popular Pittsboro restaurant will enjoy the
colorful and textural works of printmaker Vidabeth Bensen and mixed media
artist Rita Spina from February 2 – April 6, 2013. Bensen and Spina are charter
participants of the Chatham Studio Tour. There will be a free reception on
Sunday, March 3rd from 4 to 6 PM. Come, meet the artists and share some custom crafted brews and delicious
snacks.
Vidabeth Bensen’s
original screen prints reflect 27 years living and working overseas. She is a retired high school art teacher and
used her skills as a printmaker while working as an illustrator and graphic
artist for the US Army in Germany and for USIS in Morocco.
Winter Trees by Vidabeth Bensen |
Bensen grew up in NYC. “I remember always making art,” she
says. She majored in art, with a minor in education at Brooklyn College. That intersection has been a continuous
thread throughout her life. The other constant has been screen printing. In
college she had a lot of acting friends, who asked her to make posters for
them. Making posters by hand was too time-consuming, so she learned to do silk
screening. “The first time I pulled a squeegee across a screen, I was hooked –
I have been doing it ever since.”
Her prints are hand pulled in her studio in Chatham County
and each one is unique. Many of her
prints could be called “screen paintings” as they are mounted on canvas and are
one-of-a-kind mono-prints. Color and
composition inspired by Bensen’s interest in abstract expressionism are the
subject matter of several newer prints. . “I consider myself so very fortunate
– I have been doing this for over 50 years – Every print that I make is still
exciting to me.”
Rita Spina is renowned for the re-visioning of discarded materials
into beautiful and distinctive art. “I am a “junque” artist, she grins. Spina’s
work is almost always 3-dimensional and is made of materials that have been
previously used, which includes, metal scrap, old wood, paper and often organic
materials themselves. “I find most of the materials in scrap yards, walks in
the woods, rural roads and often on my front deck, as people who know my work
pass "junque" along.”
Golden Touch by Rita Spina |
Born and raised in Manhattan,
Spina always expressed an interest in art, and as a child attended Saturday
classes at the famous Parson’s School of Design. She planned to be an art major
at Russell Sage College. However, she became an English major, as the Art
program was tailored for those who wished to follow the great artists of the
world -- that would come later. She married, had four children, went to Hofstra
University for her graduate degree in Psychology and eventually headed up
the Psychological Center. A subsequent clinical practice followed.
“Whereas in my career as a Psychologist,
I put people and ideas together, as an Artist, I now put materials and ideas
together,” Spins notes. “The materials
often stimulate the origins of what I do.”
Life’s cycles, the power of nature
and her changes, the tension between natural form and emerging technologies,
the remnants of progress and the coexistence of variables are an endless table
from which to choose for Rita Spina - nothing ever remains the same.
For more information about the
artists, visit: http://www.chathamartistsguild.org/portfolio-item/vidabeth-bensen/
and http://www.chathamartistsguild.org/portfolio-item/rita-spina/.
Monday, January 7, 2013
Nestled Among Shield Ferns
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